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England 284 for 4 (Moeen 120*, Root 88, Bairstow 49, Jadeja 3-73) v India Scorecard and ball-by-ball detailsMoeen Alis fifth Test century steered England past a shaky start and moved them to a solid 284 for 4 at the end of day one in Chennai. Nike Free Rn Flyknit 2018 Hombre . Moeen added 146 for the third wicket with Joe Root to rescue England after they had slumped to 21 for 2, and then put on 86 with Jonny Bairstow to strengthen their position, before the wicket of Bairstow brought India their only success of the final session. On a pitch that offered plenty of turn but only slow turn, Ravindra Jadejas extra pace brought him three wickets while the other two spinners went wicketless.The wicket of Root half an hour before tea seemed to give India a bit of an opening but Bairstow and Moeen disabused them of any such notion, counterattacking at the start of the final session. Bairstow led the way, slog-sweeping the spinners at every opportunity, hitting Jadeja and Ashwin for sixes in successive overs, and looked in sizzling form before Jadeja did him in one short of a half-century, pulling his pace back cleverly to invite an uppish drive to short-extra cover.The dismissal came in the 81st over, and India waited until the 86th to take the second new ball. By that time, Moeen had moved to his hundred. He went from 95 to 99 with the shot of his innings, skipping down the track to hit Amit Mishra inside-out, against the turn, through the covers, and reached the landmark next ball with a nudged single into the off side. He continued playing his shots against the new ball, driving Ishant Sharma for successive fours on the up, both in the air, once to the right of point, once to the right of cover.Those two shots were emblematic of Moeens innings, which contained periods of unease and vulnerability, notably at the start, but also some gorgeous strokeplay, particularly through the off side.He began scratchily, and looked particularly insecure before lunch, when Ashwin beat his outside edge repeatedly, scrambling his footwork with his changes of pace, trajectory and angle. Before he got off the mark, he enjoyed a life when he flicked Jadeja uppishly and through the hands of KL Rahul, who mistimed his jump at midwicket. He survived a couple of reviews as well, when Jadeja and Mishra beat his inside edge and hit him on the front pad. The on-field umpire gave him out both times: first, when he was on 20, replays showed the ball hitting his pad outside the line of off stump; on the second occasion, when he was on 83, the ball was shown to strike him in line but ball-tracking returned an umpires call verdict.On 7 off 44 balls at lunch, Moeen grew in confidence after the break, using the sweep to hit fours off Ashwin and Jadeja and going after Amit Mishra when he returned for his second spell, unafraid to use his feet and hit him against the turn.Mishra, who came back into the side because Jayant Yadav was out with a hamstring niggle, only bowled seven overs before tea and went for 30, too often straying from a good length. The pitch at the MA Chidambaram Stadium offered generous turn, but it was slow turn, accentuating Mishras lack of zip off the pitch.Root fell half an hour from tea, trying to sweep Jadeja and getting a thin inside edge - revealed by Ultra Edge, after India reviewed the on-field not-out decision - through to the wicketkeeper Parthiv Patel. That shot apart, the sweep was a productive stroke for Root, who made his 11th 50-plus score in 11 Tests against India. He was judicious in choosing the right line to sweep, avoiding it against stump-to-stump deliveries, but showed a dazzling ability to play the shot against a wide range of lengths. He paddled a near half-volley from R Ashwin from outside off stump towards fine leg, and held his shape, without getting down fully on his back knee, to stay on top of the bounce and flat-bat a back-of-a-length ball from Jadeja through midwicket. In all, the sweep and the slog-sweep fetched him 29 runs off 13 balls, including five fours.There were a couple of other excellent shots too, including a deft dab to the third man boundary off an Umesh Yadav yorker and a skip down the pitch to hit R Ashwin over the top when he brought mid-on up. Not for the first time in the series, he batted with a calm fluency in conditions where his team-mates looked uncertain.More to follow... Nike Free Run 2 Mujer Negras . Perez, 35, posted a 1-2 record with a 3.69 earned-run average in 19 relief appearances last season. His season ended Aug. 9 due to a torn ligament in his left elbow. Perez joins infielder Andy LaRoche and catcher Mike Nickeas with minor-league agreements for 2014 that include invitations to attend spring training. Nike Air Presto Ultra Flyknit Baratas . -- Jonathan Drouin gave Halifax the boost it needed to edge host Sherbrooke Phoenix 3-2 in a shootout in Quebec Major Junior Hockey League action. . The Barrie Colts defenceman, who impressed many with his play for Canada at the World Junior Hockey Championship, is the top-ranked skater in the February rankings. He has 19 goals and 24 assists for 43 points in 45 games with the Colts this season. Disneys Queen of Katwe, which hits theatres Friday, was shot on location in Kampala, Uganda -- and the country becomes a lead character in the movie. The film is based on real-world happenings, centering around the life of chess prodigy Phiona Mutesi, who hails from Katwe, an impoverished enclave in Kampala.At just 15 years old, she became a woman candidate master after dominating the World Chess Olympiads in 2012.The film is based on the essay Game of her Life, which Tim Crothers penned for ESPN The Magazine in 2011. The story, and later a biographical novel, provided an honest look into Mutesis path to greatness, including the hurdles she leaped over to get there.Directed by Mira Nair (Mississippi Masala and Salaam Bombay!), the film stars Uganda-born newcomer Madina Nalwanga as Mutesi; Kenya-reared Lupita Nyongo as Mutesis mother, Nakku Harriet; and Nigerian David Oyelowo in the role of Robert Katende, a missionary and refugee of Ugandas civil war who started a chess program in Katwe. The film was intentionally cast with actors who have a direct connection to Africa, which brings an organic authenticity to the film.The thought being: If the story and people are real, the films visuals should be as well.Part of laminating that sense of truth was creating the right imagery, and thats where Nigeria-born Mobolaji Dawodu comes in. As a fashion editor and the films costume designer, he curated the wardrobe and created a storyline with clothing.My dad is Nigerian, and my first few years of life took place in Nigeria. Im very familiar with the continent. It was like going home for me, noted Dawodu, who drew inspiration for the film from everything I saw growing up.Once in Uganda, Dawodu scoured the retail outlets of Kampala for items that would work with his vision for the film. The first stop was the markets, he said. I wanted to see what the people were wearing and how they interacted.Typically, theres this sense of distance in African films, mainly because people ssee Africa as this one [monolithic] country rather than the very diverse continent it is. Nike Free 4.0 Flyknit Hombre. Each country is different, and especially in respect to wardrobe and how they dress. For instance, Nigerians dress much different than South Africans.Dawodu visited the real-life home of Mutesis mom and thumbed through her closet to draw inspiration for Nyongos wardrobe.I wanted to really study and bring her personality to the screen, he said.Owino Market, which is Kampalas largest (though there are several) and hosts about 500,000 traders, features stalls that sell everything from secondhand clothing and shoes to food and household appliances. But its most renowned for its wide variety of vintage wears.So, of course, Dawodu wanted this very central part of life in Uganda incorporated in the film.You know those bins you see [referring to clothing donation bins], many of the items end up in open markets. So [in Kampala], they have clothes from all over the world, Dawodu said. They have an Indian section, a kids section, hat section, dress coat section, jean section -- its like a huge department store in there.Though many of the printed pieces were custom-made for the film, Dawodu was sure to integrate his finds from the open market into the film. I worked with many of the local designers. I wanted to shop where the locals shopped, he said.Kanga cloth, a colorful piece of fabric which is typically used as a wrap, and the traditional Ugandan floor-length (often printed) dress called a Busuuti (alternatively named Gomesi) were infused into the films wardrobe as well. The landscape of Africa is colorful and vibrant, so I wanted to bring that to the project. I wanted to load the world with color, Dawodu said.The movie highlights the complexities of Africa in a raw and lovely manner -- a job well-done for the creative team, including Dawodu. 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